LUCKILY there was a vacant seat in the corner, near the door. He slipped into it and assumed an air of having been here from the beginning. The audience, hanging rapt on Dr. Krokowski’s lips, paid him no heed—which was as well, for he looked rather ghastly. His face white as a sheet, his coat spotted with blood—he might have been a murderer stealing from his crime. The lady in front of him did, indeed, turn her head as he sat down, and measured him with narrow eyes. With a sense of exasperation he recognized Madame Chauchat. Deuce take it—was he never to have a moment’s
peace? He had thought that, having arrived at his goal, he could sit here quietly and rest a little; and now he had to have her under his nose. In other circumstances he might conceivably have found her nearness rather pleasant than otherwise. But now, worn out and harassed as he felt, what was it to him? It could only make new demands on his heart and keep him from drawing a long breath during the whole lecture. With Pribislav’s very eyes she had looked at him, and at the spots of blood on his coat; her look had been rather bold and ruthless too, as a woman’s would be who let doors bang behind her. How badly she held herself! Not like the ladies of Hans Castorp’s social sphere, who sat erect at their tables, turned their heads towards their lords and masters, and spoke with mincing correctness. Frau Chauchat sat all relaxed, with drooping shoulders and round back; she even thrust her head forward until the vertebra at the base of the neck showed prominently above the rounded décollétage of her white blouse. Pribislav had held his head like that. But he had been a model pupil and full of honours (which was not the reason why Hans Castorp had borrowed his pencil), whereas it was abundantly clear that Frau Chauchat’s bad carriage, her doorslamming, and the directness of her gaze all had to do with her physical condition; yes, were even expressive of that want of restraint in which young Herr Albin rejoiced, which was not honourable at all, yet possessed boundless advantages all its own.
Hans Castorp’s thoughts, as he sat and looked at Frau Chauchat’s flaccid back, began to blur; they ceased to be thoughts at all and began to be a reverie, into which Dr. Krokowski’s drawling baritone, with the soft-sounding r, came as from afar. But the stillness of the room, the profound attention that rapt all the rest of the audience, had the effect of rousing him too. He looked about. Near him sat the thin-haired pianist, with bent head and folded arms, listening with his mouth open. Somewhat farther on was Fräulein Engelhart, avid-eyed, with a dull red spot on each cheek; Hans Castorp saw the same signal flame on the faces of other ladies—on Frau Salomon’s, and Frau Magnus’s, the same who was wife to the brewer and lost flesh persistently. Frau Stöhr sat somewhat farther back, an expression of ignorant credulity painted on her face, truly painful to behold; while the ivory-complexioned Levi, leaning back in her chair with half-closed eyes, her hands lying open in her lap, would have looked like a corpse had not her breast risen and fallen with such profound and rhythmical breaths as to remind Hans Castorp of a mechanical waxwork he had once seen. Many of the guests had their hands curved behind their ears; some even held the hand in the air half-way thither, as though arrested midway in the gesture by the strength of their concentration. Lawyer Paravant, a sunburnt man who looked to have had the strength of a bull, even flicked his ear with his forefinger to make it hear better, then turned it again to catch the words that flowed from Dr. Krokowski’s lips.
And what was Dr. Krokowski saying? What was his line of thought? Hans Castorp summoned his wits to discover, not immediately succeeding, however, since he had not heard the beginning and lost still more while musing on Frau Chauchat’s flabby back. It was about a power, the power which—in short, it was about the power of love. Yes, of course; the subject was already given out in the general title of the whole course, and, moreover, this was Dr. Krokowski’s special field; of what else should he be talking? It was a bit odd, to be sure, listening to a lecture on such a theme, when previously Hans Castorp’s courses had dealt only with such matters as geared transmission in shipbuilding. No, really, how did one go about to discuss a subject of this delicate and private nature, in broad daylight, before a mixed audience? Dr. Krokowski did it by adopting a mingled terminology, partly poetic and partly erudite; ruthlessly scientific, yet with a vibrating, singsong delivery, which impressed young Hans Castorp as being unsuitable, but may have been the reason why the ladies looked flushed and the gentlemen flicked their ears to make them hear better. In particular the speaker employed the word love in a somewhat ambiguous sense, so that you were never quite sure where you were with it, or whether he had reference to its sacred or its passionate and fleshly aspect—and this doubt gave one a slightly seasick feeling. Never in all his life had Hans Castorp heard the word uttered so many times on end as he was hearing it now. When he reflected, it seemed to him he had never taken it in his own mouth, nor ever heard it from a stranger’s. That might not be the case, but whether it were or no, the word did not seem to him to repay such frequent repetition. The slippery monosyllable, with its lingual and labial, and the bleating vowel between—it came to sound positively offensive; it suggested watered milk, or anything else that was pale and insipid; the more so considering the meat for strong men Dr. Krokowski was in fact serving up. For it was plain that when one set about it like that, one could go pretty far without shocking anybody. He was not content to allude, with exquisite tact, to certain matters which are known to everybody, but which most people are content to pass over in silence. He demolished illusions, he was ruthlessly enlightened, he relentlessly destroyed all faith in the dignity of silver hairs and the innocence of the sucking babe. And he wore, with the frock-coat, his négligé collar, sandals, and grey woollen socks, and, thus attired, made an impression profoundly otherworldly, though at the same time not a little startling to young Hans Castorp. He supported his statements with a wealth of illustration and anecdote from the books and loose notes on the table before him; several times he even quoted poetry. And he discussed certain startling manifestations of the power of love, certain extraordinary, painful, uncanny variations, which the majestic phenomenon at times displayed. It was, he said, the most unstable, the most unreliable of man’s instincts, the most prone of its very essence to error and fatal perversion. In the which there was nothing that should cause surprise. For this mighty force did not consist of a single impulse, it was of its nature complex; it was built up out of components which, however legitimate they might be in composition, were, taken each by itself, sheer perversity. But—continued Dr. Krokowski—since we refuse, and rightly, to deduce the perversity of the whole from the perversity of its parts, we are driven to claim, for the component perversities, some part at least, though perhaps not all, of the justification which attaches to their united product. We were driven by sheer force of logic to this conclusion; Dr. Krokowski implored his hearers, having arrived at it, to hold it fast. Now there were psychical correctives, forces working in the other direction, instincts tending to conformability and regularity—he would almost have liked to characterize them as bourgeois; and these influences had the effect of merging the perverse components into a valid and irreproachable whole: a frequent and gratifying result, which, Dr. Krokowski almost contemptuously added, was, as such, of no further concern to the thinker and the physician. But on the other hand, there were cases where this result was not obtained, could not and should not be obtained; and who, Dr. Krokowski asked, would dare to say that these cases did not, psychically considered, form a higher, more exclusive type? For in these cases the two opposing groups of instincts—the compulsive force of love, and the sum of the impulses urging in the other direction, among which he would particularly mention shame and disgust—both exhibited an extraordinary and abnormal height and
intensity when measured by the ordinary bourgeois standards; and the conflict between them which took place in the abysses of the soul prevented the erring instinct from attaining to that safe, sheltered, and civilized state which alone could resolve its difficulties in the prescribed harmonies of the love-life as experienced by the average human being. This conflict between the powers of love and chastity—for that was what it really amounted to—what was its issue? It ended, apparently, in the triumph of chastity. Love was suppressed, held in darkness and chains, by fear, conventionality, aversion, or a tremulous yearning to be pure. Her confused and tumultuous claims were never allowed to rise to consciousness or to come to proof in anything like their entire strength or multiformity. But this triumph of chastity was only an apparent, a pyrrhic victory; for the claims of love could not be crippled or enforced by any such means. The love thus suppressed was not dead; it lived, it laboured after fulfilment in the darkest and secretest depths of the being. It would break through the ban of chastity, it would emerge—if in a form so altered as to be unrecognizable. But what then was this form, this mask, in which suppressed, unchartered love would reappear?
Dr. Krokowski asked the question, and looked along the listening rows as though in all seriousness expecting an answer. But he had to say it himself, who had said so much else already. No one knew save him, but it was plain that he did. Indeed, with his ardent eyes, his black beard setting off the waxen pallor of his face, his monkish sandals and grey woollen socks, he seemed to symbolize in his own person that conflict between passion and chastity which was his theme. At least so thought Hans Castorp, as with the others he waited in the greatest suspense to hear in what form love driven below the surface would reappear. The ladies barely breathed. Lawyer Paravant rattled his ear anew, that the critical moment might find it open and receptive. And Dr. Krokowski answered his own question, and said: “In the form of illness. Symptoms of disease are nothing but a disguised manifestation of the power of love; and all disease is only love transformed.”
So now they knew—though very probably not all of them were capable of an
opinion on what they heard. A sigh passed through the assemblage, and Lawyer Paravant weightily nodded approbation as Krokowski proceeded to develop his theme. Hans Castorp for his part sat with bowed head, trying to reflect on what had been said and test his own understanding of it. But he was unpractised in such exercises, and rendered still further incapable of mental exertion by the unhappy effect of the walk he had taken. His thoughts were soon drawn off again by the sight of Frau Chauchat’s back, and the arm appertaining, which was lifting and bending itself, close before Hans Castorp’s eyes, so that the hand could hold the braids of hair. It made him uncomfortable to have the hand so close beneath his eye, to be forced to look at it whether he wished or no, to study it in all its human blemishes and imperfections, as though under a magnifying-glass. No, there was nothing aristocratic about this stubby schoolgirl hand, with the badly cut nails. He was even not quite sure that the ends of the fingers were perfectly clean; and the skin round the nails was distinctly bitten. Hans Castorp made a face; but his eyes remained fixed on Madame Chauchat’s back, as he vaguely recalled what Dr. Krokowski had been saying, about counteracting influences of a bourgeois kind, which set themselves up against the power of love.—The arm, in its gentle upward curve, was better than the hand; it was scarcely clothed, for the material of the sleeve was thinner than that of the blouse, being the lightest gauze, which had the effect of lending the arm a sort of shadowed radiance, making it prettier than it might otherwise have been. It was at once both full and slender—in all probability cool to the touch. No, so far as the arm went, the idea about counteracting bourgeois influences did not apply.
Hans Castorp mused, his gaze still bent on Frau Chauchat’s arm. The way women dressed! They showed their necks and bosoms, they transfigured their arms by veiling them in “illusion”; they did so, the world over, to arouse our desire. O God, how beautiful life was! And it was just such accepted commonplaces as this that made it beautiful—for it was a commonplace that women dressed themselves alluringly, it was so well known and recognized a fact that we never consciously realized it, but merely enjoyed it without a thought. And yet he had an inward conviction that we ought to think about it, ought to realize what a blessed, what a well-nigh miraculous arrangement it was. For of course it all had a certain end and aim; it was by a definite design that women were permitted to array themselves with irresistible allure: it was for the sake of posterity, for the perpetuation of the species. Of course. But suppose a woman were inwardly diseased, unfit for motherhood—what then? What was the
sense of her wearing gauze sleeves and attracting male attention to her physical parts if these were actually unsound? Obviously there was no sense; it ought to be considered immoral, and forbidden as such. For a man to take an interest in a woman inwardly diseased had no more sense than—well, than the interest Hans Castorp had once taken in Pribislav Hippe. The comparison was a stupid one; it roused memories better forgotten; he had not meant to make it, it came into his head unbidden. But at this point his musings broke off, largely because Dr. Krokowski had raised his voice and so drawn attention once more upon himself. He was standing there behind his table, with his arms outstretched and his head on one side—almost, despite the frockcoat, he looked like Christ on the cross. It seemed that at the end of his lecture Dr. Krokowski was making propaganda for psycho-analysis; with open arms he summoned all and sundry to come unto him.
“Come unto me,” he was saying, though not in those words, “come unto me, all ye who are weary and heavy-laden.” And he left no doubt of his conviction that all those present were weary and heavy-laden. He spoke of secret suffering, of shame and sorrow, of the redeeming power of the analytic. He advocated the bringing of light into the unconscious mind and explained how the abnormality was metamorphosed into the conscious emotion; he urged them to have confidence; he promised relief. Then he let fall his arms, raised his head, gathered up his notes and went out by the corridor door, with his head in the air, and the bundle of papers held schoolmaster fashion, in his left hand, against his shoulder.
His audience rose, pushed back its chairs, and slowly began to move towards the same door, as though converging upon him from all sides, without volition,
hesitatingly, yet with one accord, like the throng after the Pied Piper. Hans Castorp stood in the stream without moving, his hand on the back of his chair. I am only a guest up here, he thought. Thank God I am healthy, that business has nothing to do with me; I shan’t even be here for the next lecture. He watched Frau Chauchat going out, gliding along with her head thrust forward. Did she have herself psycho-analysed, he wondered. And his heart began to thump. He did not notice Joachim, coming toward him among the chairs, and started when his cousin spoke.
“You got here at the last minute,” Joachim said. “Did you go very far? How was it?”
“Oh, very nice,” Hans Castorp answered. “Yes, I went rather a long way. But I must confess, it did me less good than I thought it would. I won’t repeat it for the present.”
Joachim did not ask how he liked the lecture; neither did Hans Castorp express an opinion. By common consent they let the subject rest, both then and thereafter.